Poem of the Week

Loving the rituals by Palladas (4th century AD) tr. Tony Harrison Poems on the Underground 1999 1,000 years of poetry in English ‘Loving the rituals that keep men close, Nature created means for friends apart: pen, paper, ink, the alphabet, signs for the distant and disconsolate heart.’

Our earlier Poems of the Week are below

from To Autumn, John Keats ' Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimmed their clammy cells.'

Ode to the West Wind by P. B. Shelley 'O wild West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes; O Thou, Who chariotest to their dark wintry bed The wingèd seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and Preserver; hear, O hear! '

For the Life of This Planet, Grace Nichols ‘ The way the red sun surrenders its wholeness to curving ocean bit by bit. The way curving ocean gives birth to the birth of stars in the growing darkness, wearing everything in its path to cosmic smoothness’

from Autumn Journal, Louis MacNeice ‘September has come, it is hers Whose vitality leaps in the autumn, Whose nature prefers Trees without leaves and a fire in the fireplace . . .’

Buses on the Strand, R. P. Lister ‘The Strand is beautiful with buses, Fat and majestical in form, Red like tomatoes in their trusses In August, when the sun is warm.’

Midsummer, Tobago, Derek Walcott 'Broad sun-stoned beaches. White heat. A green river. A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have lost, days that outgrow, like daughters, my harbouring arms.'

The Morning After (August 1945), Tony Harrison ' The fire left to itself might smoulder weeks. Phone cables melt. Paint peels from off back gates. Kitchen windows crack; the whole street reeks of horsehair blazing. Still it celebrates.'

Moment in a Peace March, Grace Nichols ‘A holy multitude pouring Moment in a Peace March through the gates of Hyde Park – A great hunger repeated in cities all over the world’

Green the land of my poem, Mahmoud Darwish ‘Green the land of my poem is green and high Slowly I tell it slowly with the grace of a seagull riding the waves on the book of water I bequeath it written down to the one who asks to whom shall we sing when salt poisons the dew?’

If Bach Had Been a Beekeeper, Charles Tomlinson ' If Bach Had Been a Beekeeper he would have heard all those notes suspended above one another in the air of his ear as the undifferentiated swarm returning to the exact hive to place in the hive, topping up the cells with the honey of C major, food for the listening generations, key to their comfort and solace of their distress as they return and return to those counterpointed levels of hovering wings where movement is dance and the air itself a scented garden'

Ozymandias by Percy Bysshe Shelley 'I met a traveller from an antique land Who said: Two vast and trunkless legs of stone Stand in the desert . . . Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed. And on the pedestal these words appear: 'My name is OZYMANDIAS, King of Kings: Look on my Works, ye Mighty, and despair!' Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.'

Ozymandias by Percy Bysshe Shelley read by Gavin Ewart

Naima for John Coltrane, Kamau Brathwaite 'Propped against the crowded bar he pours into the curved and silver horn his old unhappy longing for a home'

Naima by Kamau Brathwaite read by Valerie Bloom

Map of the New World: Archipelagoes , Derek Walcott ' At the end of this sentence, rain will begin. At the rain's edge, a sail. Slowly the sail will lose sight of islands; into a mist will go the belief in harbours of an entire race. The ten-years war is finished. Helen's hair, a grey cloud. Troy, a white ashpit by the drizzling sea. The drizzle tightens like the strings of a harp. A man with clouded eyes picks up the rain and plucks the first line of the Odyssey.'

Map of the New World : Archipelagoes by Derek Walcott read by John Glenday

Pane No creature feels August’s restlessness more I thought, than a housefly. Across the room it had taken a wrong turn from the syrupy sunshine outside. I watched it butt its head against the glass, watched it beat against the window’s smooth glass chest, wring its hands in bewilderment, try again, fall to the sill, stunned, get up and do it again. Unable to watch its stubborn struggle anymore, I got a plastic cup, gently caught the little black firework before it fizzed itself out, watched it sink up into the sky like a coin in a public fountain. Perhaps God will guide me a few inches to the left too, I thought. When it was gone, I looked up through the branches and glimpsed blue. Anna Gilmore Heezen Young Poets on the Underground

Pane read by Anna Gilmore Heezen

And if I speak of Paradise, Roger Robinson ‘And if I speak of Paradise then I’m speaking of my grandmother who told me to carry it always on my person, concealed, so no one else would know but me.’

A Portable Paradise by Roger Robinson read by Imtiaz Dharker

Genesis then god said let me make man in my image man in my likeness man like me man like light and man like dark let man nyam and chop whatever be good god said give man arm to skank leg to shake tongue and chest to speak with give man cash to spray put man’s face on it said give man sea and sky and trees and zones one to six on the oyster so man can see it now man said rah swear down man said show me Gboyega Odubanjo Reprinted by permission of Faber & Faber from Adam (2024) © The Estate of Gboyega Odubanjo, 2024

Daughter I ask her to remember, not because I want to hear the story again, but because I want to watch her face relive the moment. That moment, her eyes sparkle with longing, I can see how she flies from the tent to a time when she leapt through our farm in every direction with eyes closed, only stopping at the fence, where our orange trees embrace our neighbours’ olive trees. Some fallen oranges would tell her to open her eyes, to pick them up and put them in a plate at our doorstep, where children returning from school would stop to gulp some. I love the smell of oranges best when she remembers. Mosab Abu Toha Reprinted by permission of HarperCollins from Forest of Noise (4th Estate 2024)

Delay, Elizabeth Jennings, 1988 Poems on the Underground poster ‘The radiance of the star that leans on me Was shining years ago. The light that now Glitters up there my eyes may never see, And so the time lag teases me with how Love that loves now may not reach me until Its first desire is spent. The star's impulse Must wait for eyes to claim it beautiful And love arrived may find us somewhere else.'

Delay by Elizabeth Jennings read by Roger McGough

Stars & Planets by Norman MacCaig read by Roger McGough

The Tyger, William Blake 'Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes! On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp? When the stars threw down their spears And water'd heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?'

The Tyger by William Blake read by James Berry

Love LOVE bade me welcome; yet my soul drew back, Guilty of dust and sin. But quick-eyed Love, observing me grow slack From my first entrance in, Drew nearer to me, sweetly questioning If I lack’d anything. ‘A guest,’ I answer’d, ‘worthy to be here:’ Love said, ‘You shall be he.’ ‘I, the unkind, ungrateful? Ah, my dear, I cannot look on Thee.’ Love took my hand and smiling did reply, ‘Who made the eyes but I?’ ‘Truth, Lord; but I have marr’d them: let my shame Go where it doth deserve.’ ‘And know you not,’ says Love, ‘Who bore the blame?’ ‘My dear, then I will serve.’ ‘You must sit down,’ says Love, ‘and taste my meat.’ So I did sit and eat. George Herbert

Love by George Herbert read by Paula Meehan

‘Sumer is icumen in’ Sumer is icumen in Loud sing cuckoo! Groweth seed and bloweth mead And springeth the wood now, Sing cuckoo! Ewe bleateth after lamb, Cow loweth after calf, Bullock starteth, buck farteth, Merry sing cuckoo! Cuckoo, cuckoo! Well singest thou cuckoo, Nor cease thou never now! Sing cuckoo now, sing cuckoo! Sing cuckoo, sing cuckoo now! Anon (13th century) Music manuscript by permission of The British Library Board, BL Harley 978f.1.1v

Sumer is Icumen in read by Nii Ayikwei Parkes

Much Madness is Divinest Sense, Emily Dickinson, Much Madness is divinest Sense- To a discerning Eye- Much Sense- the starkest Madness- 'Tis the Majority In this, as All, Prevail- Assent- and you are sane- Demur- you're straightway dangerous- And handled with a Chain-''

Much Madness is Divinest Sense by Emily Dickinson read by George Szirtes

Sonnet 29, William Shakespeare 'When, in disgrace with fortune and men’s eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possessed, Desiring this man’s art and that man’s scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, (Like to the lark at break of day arising From sullen earth) sings hymns at heaven’s gate; For thy sweet love remembered such wealth brings, That then I scorn to change my state with kings.'

Listen to Sonnet 29 read by James Berry

Kathleen Raine, The Very Leaves of the Acacia-Tree are London ' The very leaves of the acacia-tree are London; London tap-water fills out the fuchsia buds in the back garden, Blackbirds pull London worms out of the sour soil, The woodlice, centipedes, eat London, the wasps even. London air through stomata of myriad leaves And million lungs of London breathes. Chlorophyll and haemoglobin do what life can To purify, to return this great explosion To sanity of leaf and wing. Gradual and gentle the growth of London pride, And sparrows are free of all the time in the world: Less than a window-pane between.'

The Very Leaves of the Acacia-Tree are London by Kathleen Raine read by Cicely Herbert

Spooner Goes Under, Brian O’Connor ‘Stamp Head Wedge Air Stooge Greet Shammer Myth Flak Briars Straker Beat’

Spooner Goes Under read by Brian O’Connor

Guinep, Olive Senior 'Our mothers have a thing about guinep: Mind you don't eat guinep in your good clothes. It will stain them.'

Guinep by Olive Senior read by Valerie Bloom

Love after Love by Derek Walcott ' The time will come when, with elation, you will greet yourself arriving at your own door, in your own mirror, and each will smile at the other's welcome, and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life.' Reprinted by permission of Faber from Collected Poems (1986)

Love after Love by Derek Walcott read by Marjorie Lotfi

This Moment, Eavan Boland 'A neighbourhood. At dusk. Things are getting ready to happen out of sight. Stars and moths. And rinds slanting around fruit. But not yet. One tree is black. One window is yellow as butter. A woman leans down to catch a child who has run into her arms this moment. Stars rise. Moths flutter. Apples sweeten in the dark.''

This Moment by Eavan Boland read by John Glenday

Like A Beacon, Grace Nichols 2009 Poster 'In London every now and then I get this craving for my mother’s food I leave art galleries in search of plantains saltfish/sweet potatoes I need this link I need this touch of home swinging my bag like a beacon against the cold'

Like a Beacon by Grace Nichols read by Merle Collins

Ther is No Rose of Swych Virtu Ther is no rose of swych virtu as is the rose that bar Jhesu -- 15th century, anon. An old gardener plants a rosary of garlic around the rosebushes. And the sun on the high windows makes the song softer, softer – a hum in his ears: ther is no rose of swych virtu . . . while the odours from the dug up earth cling to the air – and the wind leaves no boundaries between the scent of roses and the scent of garlic. Sujata Bhatt Reprinted by permission of Carcanet from Collected Poems (2013)

Ther is No Rose of Swych Virtu by Sujata Bhatt read by Marjorie Lotfi

The Sonnets, Michael Longley 'The soldier-poet packed into his kitbag His spine-protector, socks, soap, latherbrush (Though he was not then a regular shaver)'

The Sonnets by Michael Longley read by Ian Duhig

Sonnet 116, William Shakespeare 1998 Poster Poems on the Underground ' Let me not to the marriage of true minds Admit impediments; love is not love Which alters when it alteration finds, or bends with the remover to remove'

Sonnet 116 by William Shakespeare read by John Hegley

Free, Merle Collins 'Born free to be caught and fashioned and shaped and freed to wander within a caged dream of tears'

Free read by Merle Collins

Michael Longley RIP

Harmonica by Michael Longley read by Ian Duhig

Up in the Morning Early ,Robert Burns 'Cauld blaws the wind frae east to west, The drift is driving sairly; Sae loud and shrill's I hear the blast, I'm sure it's winter fairly.'

Up in the Morning Early by Robert Burns read by Gerard Benson

Gavin Ewart , A 14 year old Convalescent Cat in the Winter Poems on the Underground 1995 ' I want him to have another living summer, to lie in the sun and enjoy the douceur de vivre- because the sun, like golden rum in a rummer, is what makes an idle cat un tout petit peu ivre- I want him to lie stretched out, contented, revelling in the heat, his fur all dry and warm, an Old Age Pensioner, retired, resented by no one, and happinesses in a beelike swarm to settle on him – postponed for another season that last fated hateful journey to the vet from which there is no return (and age the reason), which must come soon – as I cannot forget''

A 14 Year Old Convalescent Cat in Winter read by Gavin Ewart

Time to be slow, John O’Donohue ‘This is the time to be slow, Lie low to the wall Until the bitter weather passes’

This is the Time to be Slow

Excerpt from For the Break-Up of a Relationship, from Benedictus (Europe) / To Bless the Space Between Us (US) by John O’Donohue

Auld Lang Syne by Robert Burns 'Should auld acquaintance be forgot, And never brought to min'? Should auld acquaintance be forgot, And days o' auld lang syne? We twa hae run about the braes, And pu'd the gowans fine; But we've wander'd mony a weary foot Sin' auld lang syne. We twa hae paidl't i' the burn, From mornin sun till dine; But seas between us braid hae roar'd Sin' auld lang syne. Chorus: For auld lang syne, my dear, For auld lang syne, We'll tak a cup o' kindness yet For auld lang syne.'

from In Memoriam by Alfred, Lord Tennyson Poems on the Underground 1000 years of poetry in English 1999 'Ring out, wild bells, to the wild sky, The flying cloud, the frosty light: The year is dying in the night; Ring out, wild bells, and let him die. Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true. Ring out the grief that saps the mind For those that here we see no more; Ring out the feud of rich and poor, Ring in redress to all mankind.'

Now winter nights enlarge by Thomas Campion 'Now winter nights enlarge The number of their hours, And clouds their storms discharge Upon the airy towers. Let now the chimneys blaze And cups o’erflow with wine: Let well-tun'd words amaze With harmony divine. Now yellow waxen lights Shall wait on honey Love, While youthful Revels, Masks, and Courtly sights, Sleep’s leaden spells remove. This time doth well dispense With lovers’ long discourse; Much speech hath some defence, Though beauty no remorse. All do not all things well; Some measures comely tread; Some knotted Riddles tell; Some Poems smoothly read. The summer hath his joys, And Winter his delights; Though love and all his pleasures are but toys, They shorten tedious nights.'

King James Bible Ecclesiastes 1 iii-vii 'What profit hath a man of all his labour which he taketh under the sun? One generation passeth away, and another generation cometh: but the earth abideth for ever. The sun also ariseth, and the sun goeth down, and hasteth to his place where he arose. The wind goeth toward the south, and turneth about unto the north; it whirleth about continually, and the wind returneth again according to his circuits. All the rivers run into the sea; yet the sea is not full; unto the place from whence the rivers come, thither they return again.'

From Ecclesiastes 1. iii-vii, The King James Bible read by Nick Makoha

Western Wind, Anon, before 1500 ' Western wind when wilt thou blow the small rain down can rain Christ If my love were in my arms and I in my bed again'

Western wind when wilt thou blow, Anon read by Gerard Benson

What Lips My Lips Have Kissed, Edna St Vincent Millay ' What lips my lips have kissed, and where, and why, I have forgotten, and what arms have lain. Under my head till morning; but the rain. Is full of ghosts tonight, that tap and sigh.Upon the glass and listen for reply, And in my heart there stirs a quiet pain For unremembered lads that not again Will turn to me at midnight with a cry. Thus in the winter stands the lonely tree, Nor knows what birds have vanished one by one, Yet knows its boughs more silent than before: I cannot say what loves have come and gone, I only know that summer sang in me A little while, that in me sings no more.'

What Lips my Lips Have Kissed by Edna St Vincent Millay read by Fleur Adcock

I Sing of Change Niyi Osundare I sing of the beauty of Athens without its slaves Of a world free of kings and queens and other remnants of an arbitrary past

I Sing of Change read by Niyi Osundare

1915 I Know the Truth - Give up All Other Truths! , Marina Tsvetayeva (1892-1941) translated by Elaine Feinstein 'I know the truth - give up all other truths! No need for people anywhere on earth to struggle. Look - it is evening, look, it is nearly night: what do you speak of, poets, lovers, generals? The wind is level now, the earth is wet with dew, the storm of stars in the sky will turn to quiet. And soon all of us will sleep under the earth, we who never let each other sleep above it. '

1915 I know the truth – give up all other truths! by Marina Tsvetayeva translated by Elaine Feinstein read by Cicely Herbert

Epilogue by Dawn Sands But the purest memory is the storybook moment when we stood there, rain-drenched girls, elbow-high, and for once we became the characters we pencilled to paper like prayers as she asked the question every ten-year-old soul wants to hold in her heartbeat forever: can we be best friends? No popularity contest, no magic wish. Just two clouds of loneliness converging in a clap of thunderlight, a starlit dream to cradle us till next winter. Young Poets on the Underground

Dawn Sands reading Epilogue

Upwards (for Ty Chijioke) after Christopher Gilbert by Raymond Antrobus ' The last place the sun reaches in my garden is the back wall where the ivy grows above the stinging nettles. What are they singing to us? Is it painless to listen? Will music soothe our anxious house? Speech falls on things like rain sun shades all the feelings of having a heart. Here, take my pulse, take my breath, take my arms as I drift off ' Reprinted by permission of Picador from All the Names Given (2021)

Upwards by Raymond Antrobus with Evelyn Glennie

Fleur Adcock RIP

Immigrant, Fleur Adcock 'November '63: eight months in London. I pause on the low bridge to watch the pelicans:'

Fleur Adcock reads Immigrant

Dew, Kwame Dawes ' This morning I took the dew from the broad leaf of the breadfruit tree, and washed the sleep from my eyes.

Dew read by Kwame Dawes

Dei Miracole by Lemn Sissay ' The spirit of structure can’t be foreseen, For somewhere between The architecture and the dream More than the sum of its parts Somehow, somewhere, the heart.' Copyright Listener by Lemn Sissay, 2008. First published in Great Britain by Canongate Books Ltd.

Dei Miracole read by Lemn Sissay

The Uncertainty of the Poet, Wendy Cope 'I am a poet. I am very fond of bananas. I am bananas. I am very fond of a poet. I am a poet of bananas. I am very fond. A fond poet of 'I am, I am'- Very bananas. Fond of 'Am I bananas? Am I?'-a very poet. Bananas of a poet! Am I fond? Am I very? Poet bananas! I am. I am fond of a 'very.' I am of very fond bananas. Am I a poet?'

The Uncertainty of the Poet read by Wendy Cope

If I could tell you by W. H. Auden (1907 - 73) ' Time will say nothing but I told you so, Time only knows the price we have to pay; If I could tell you I would let you know. If we should weep when clowns put on their show, If we should stumble when musicians play, Time will say nothing but I told you so. There are no fortunes to be told, although, Because I love you more than I can say, If I could tell you I would let you know. The winds must come from somewhere when they blow, There must be reasons why the leaves decay; Time will say nothing but I told you so. Perhaps the roses really want to grow, The vision seriously intends to stay; If I could tell you I would let you know. Suppose the lions all get up and , And all the brooks and soldiers run away; Will Time say nothing but I told you so? If I could tell you I would let you know. '

If I Could Tell You by W.H. Auden read by Cicely Herbert

Living, Denise Levertov ' The fire in leaf and grass so green it seems each summer the last summer. The wind blowing, the leaves shivering in the sun, each day the last day.'

Living by Denise Levertov read by Ruth Fainlight

Everything Changes, after Brecht Alles wandelt sich ,Cicely Herbert ‘ Alles wandelt sich. Neu beginnen Kannst du mit dem letzten Atemzug. Aber was geschehen, ist geschehen. Und das Wasser Das du in den Wein gossest, kannst du Nicht mehr herausschütten. Was geschehen, ist geschehen. Das Wasser Das du in den Wein gossest, kannst du Nicht mehr herausschütten, aber Alles wandelt sich. Neu beginnen Kannst du mit dem letzten Atemzug. Everything changes. We plant trees for those born later but what’s happened has happened, and poisons poured into the seas cannot be drained out again. What’s happened has happened. Poisons poured into the seas cannot be drained out again’, but everything changes. We plant trees for those born later.'

Everything Changes read by Cicely Herbert

The Loch Ness Monster's Song, Edwin Morgan 'Sssnnnwhuffffll? Hnwhuffl hhnnwfl hnflhfl? Gdroblboblhobngbl gbl gl g g g g glbgl'

The Loch Ness Monster’s Song by Edwin Morgan read by Gerard Benson

Harmonica by Michael Longley read by Ian Duhig

‘Sumer is icumen in’ Sumer is icumen in Loud sing cuckoo! Groweth seed and bloweth mead And springeth the wood now, Sing cuckoo! Ewe bleateth after lamb, Cow loweth after calf, Bullock starteth, buck farteth, Merry sing cuckoo! Cuckoo, cuckoo! Well singest thou cuckoo, Nor cease thou never now! Sing cuckoo now, sing cuckoo! Sing cuckoo, sing cuckoo now! Anon (13th century) Music manuscript by permission of The British Library Board, BL Harley 978f.1.1v

Sumer is Icumen in read by Nii Ayikwei Parkes

By Yourself, Boy. . . (1988-2007) Nat King Cole’s on the TV staring hard at his audience, his hands setting up plays while he sings. Ray Charles said he sang so damn well people forgot how good he was on keys, and I see it now; his right hand stuffs a melody down the grand piano’s throat – that’s the fake – he dribbles the sound down to low notes until you expect the left hand to come in lower. That’s when he breaks mould, hustles his left hand over the right, throws high notes into your ear -crossover, up, swish. Now the trash talk it’s better to be by yourself boy… He smiles like the silent men on my tapes and, suddenly, every move has a name, a sound, a history. Nii Ayikwei Parkes Reprinted by permission of Peepal Tree Press from The Makings of You (2010)

Listen to By Yourself, Boy read by Nii Ayikwei Parkes

Hour, Carol Ann Duffy ‘Love’s time’s beggar, but even a single hour, bright as a dropped coin, makes love rich. We find an hour together, spend it not on flowers or wine, but the whole of the summer sky and a grass ditch.’

Listen to Hour read by Carol Ann Duffy

from We Refugees We can all be refugees Sometimes it only takes a day, Sometimes it only takes a handshake Or a paper that is signed. We all came from refugees Nobody simply just appeared, Nobody’s here without a struggle, And why should we live in fear Of the weather or the troubles? We all came here from somewhere Benjamin Zephaniah from We Refugees Reprinted by permission of Penguin Books Limited from Wicked World (Puffin, 2000).

Listen to We Refugees read by Nii Ayikwei Parkes

A Glimpse So caught up in our conversation that darkness fell and covered us with large damp wings and not a single light showed in that blue hour where we stood grown-up children held for a moment, astonished, watching a paper boat as the water swallowed it. Azita Ghahreman, translated from the Persian by Elhum Shakerifar and Maura Dooley Reprinted with permission from Negative of a Group Photograph (The Poetry Translation Centre / Bloodaxe Books, 2018)

Listen to A Glimpse read in Persian by Azita Ghahreman

Listen to A Glimpse read by Maura Dooley

The Railway Children, Seamus Heaney ' When we climbed the slopes of the cutting We were eye-level with the white cups Of the telegraph poles and the sizzling wires.' '

Listen to The Railway Children read by Seamus Heaney

Still Life with Sea Pinks and High Tide, Maura Dooley 'Thrift grows tenacious at the tide's reach. What is that reach when the water is rising, rising?'

Listen to Still Life with Sea Pinks and High Tide read by Maura Dooley

World Poems on the Underground Carving , Imtiaz Dharkar. Others can carve out their space in tombs and pyramids

Listen to Carving read by Imtiaz Dharker

Sometimes by Sheenagh Pugh (b. 1950)' Sometimes things don't go after all, from bad to worse. Some years, muscadel faces down frost; green thrives; the crops don't fail, sometimes a man aims high, and all goes well. A people sometimes will step back from war; elect an honest man; decide they care enough, that they can't leave some stranger poor. Some men become what they were born for. Sometimes our best efforts do not go amiss; sometimes we do as we meant to. The sun will sometimes melt a field of sorrow that seemed hard frozen: may it happen for you.' Reprinted by permission of Seren Books from Selected Poems (1990) © Sheenagh Pugh 1990 100 Poems on the Underground

Listen to Sometimes by Sheenagh Pugh read by George Szirtes

Paisley by Jo Clement ' With India’s hand on the loom I untwist a paisley square from round my neck: red, green and gold threads repeat almonds some call figs, figs the Welsh call pears and pears you might call teardrops. Shook onto the grass, I smooth out Kashmir -- so close to silk – over the fault line made of my body: feet in England, head in Scotland, a heart elsewhere.' Reprinted by permission of Bloodaxe Books from Outlandish (2022)

Listen to Paisley read by Jo Clement

Sonnet 29, William Shakespeare 'When, in disgrace with fortune and men’s eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possessed, Desiring this man’s art and that man’s scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, (Like to the lark at break of day arising From sullen earth) sings hymns at heaven’s gate; For thy sweet love remembered such wealth brings, That then I scorn to change my state with kings.'

Listen to Sonnet 29 read by James Berry

Poem of the Week April 13th

The Creel by Kathleen Jamie 'The world began with a woman, shawl-happed, stooped under a creel, whose slow step you recognize from troubled dreams. You feel obliged to help bear her burden from hill or kelp-strewn shore, but she passes by unseeing thirled to her private chore. It's not sea birds or peat she's carrying, not fleece, nor the herring bright but her fear that if ever she put it down the world would go out like a light.'

The Creel by Kathleen Jamie read by John Glenday

from The Song of Solomon, The King James Bible (1611) ' My beloved spake, and said unto me, Rise up, my Love, my fair one, and come away. For lo, the winter is past, the rain is over, and gone. The flowers appear on the earth, the time of the singing of birds is come, and the voice of the turtle is heard in our land. The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away. '

Listen to Valerie Bloom reading from The Song of Solomon

Bridled Vows by Ian Duhig I will be faithful to you, I do vow, but not until the seas have all run dry et cetera. Although I mean it now I’m not a prophet and I will not lie. To be your perfect wife, I could not swear; I’ll love, yes; honour (maybe); won’t obey, but will co-operate if you will care as much as you are seeming to today. I’ll do my best to be your better half, but I don’t have the patience of a saint and at you, not with you, I’ll sometimes laugh, and snap too, though I’ll try to show restraint. We might work out. No blame if we do not. With all my heart, I think it’s worth a shot.

Listen to Ian Duhig reading Bridled Vows

He wishes for the Cloths of Heaven by W. B. Yeats (1865 - 1939) Poems on the Underground 1993 'Had I the heavens' embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half-light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.'

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Packing for America My Father in Tabriz , 1960 by Marjorie Lotfi He cannot take his mother in the suitcase, the smell of khorest in the air, her spice box too tall to fit. Nor will it close when he folds her sajadah into its cornered edges. He cannot bring the way she rose and blew out the candles at supper’s end, rolled the oilcloth off the carpet to mark the laying out of beds, the beginning of night. He knows the sound of the slap of her sandals across the kitchen tiles will fade. He tosses the framed photographs into the case, though not one shows her eyes; instead, she covers her mouth with her hand as taught, looks away. He considers strapping the samovar to his back like a child’s bag; a lifetime measured by pouring tea from its belly. Finally, he takes the tulip tea glass from her bedside table, winds her chador around its body, leaves the gold rim peeking out like a mouth that might tell him where to go, what is coming next.

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The Weight of the World by Seni Seneviratne Oh, how they blew like vast sails in the breeze, my mother’s wet sheets, pegged hard to the rope of her washing line. There was always hope of dry weather and no need for a please or thanks between us as we hauled them down. Whether to make the fold from right to left or left to right, to tame the restless heft? My job to know. I won’t call it a dance but there were steps to learn and cues to read, the give and take of fabric passed like batons in a relay race. She was my due north. Her right hand set west, mine tracing the east, we closed the distance, calmed the wayward weight, bringing order to the billowing world.

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